地质小队来到亚马逊丛林里，科学家发现海洋与陆地交接间有种恐怖生物，长个骷髅手和蛛网指。他们接着又发现半人半鱼的生物，试图要捕捉牠，不久这可怕生物就要反扑。

地质小队来到亚马逊丛林里，科学家发现海洋与陆地交接间有种恐怖生物，长个骷髅手和蛛网指。他们接着又发现半人半鱼的生物，试图要捕捉牠，不久这可怕生物就要反扑。

Together with a group of friends, Hanne Mette viditint the abandoned ski, Svartsjön as Hannes boyfriend, Johan, are planning to buy and reopen. The site, which lies far in the Swedish wilderness, has stood completely empty and abandoned since a gruesome murder case 20 years earlier.

Dubbed the Creature Commandos, a military squad of soldiers-turned-monsters use their new found powers to do missions for the government and save the world from potential world domination.

An ex-Navy seal, his girlfriend and their friends head out on a road trip to New Orleans. The group decides to stop at a roadside convenience store owned by Chopper, who tells them the tale of Lockjaw, a fabled god-like creature who is half-man, half-alligator.

在这第三部鳃人电影（前两部分别是《黑湖妖谭》、《造物复仇》），那生物被抓住了，一个富有而疯狂的科学家成功地被它改变为空气呼吸的生物，可这让生物非常生气，后果很严重，它逃脱了，四处杀人放火。

"Creature Features" see a has-been rock star Vincent Van Dahl hosts horror films in his haunted mansion with the help of his stalwart butler Mr. Livingston and quixotic housemate Tangella.

Paul and Jennifer Hemdale have just moved into their dream house. But their happy marriage is about to be put to the test as they slowly discover the secret behind the black room in the cellar. Something else is already living in their new home and it is growing stronger every day.

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987